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Moneyball the art of winning an unfair game michael lewis
Moneyball the art of winning an unfair game michael lewis











moneyball the art of winning an unfair game michael lewis

We meet Jeremy Brown, an overweight college catcher who most teams project to be a 15th round draft pick (Beane takes him in the first). Besides being one of the most insider accounts ever written about baseball, Moneyball is populated with fascinating characters. In the June player draft, Beane acquired nearly every prospect he coveted (few of whom were coveted by other teams) and at the July trading deadline he engaged in a tense battle of nerves to acquire a lefty reliever. Lewis was in the room with the A's top management as they spent the summer of 2002 adding and subtracting players and he provides outstanding play-by-play. Given this information and a tight budget, Beane defied tradition and his own scouting department to build winning teams of young affordable players and inexpensive castoff veterans. But Beane and his staff, buoyed by massive amounts of carefully interpreted statistical data, believed that wins could be had by more affordable methods such as hitters with high on-base percentage and pitchers who get lots of ground outs. Conventional wisdom long held that big name, highly athletic hitters and young pitchers with rocket arms were the ticket to success. Billy Beane, general manager of MLB's Oakland A's and protagonist of Michael Lewis's Moneyball, had a problem: how to win in the Major Leagues with a budget that's smaller than that of nearly every other team.













Moneyball the art of winning an unfair game michael lewis